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Quilted Barrel Bag More colors available 9. The straight-line chemise topped by the close-fitting cloche hat became the uniform of the day. Being considered old-fashioned, out-of-date, or—worse yet—unable to afford stylish new products was a fate many Americans went to great lengths to avoid.

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Denim Bell Sleeve Shift Dress. Mid Rise True Skinny Cords. Mid Rise Perfect Boot Cords. Zip-Front Mini Skirt in Ponte. Jewelry was less conspicuous. The Art Nouveau movement of inspired most of the natural forms and geometric shapes of the jewelry during the s. A key influence of this modernism was the influential Bauhaus movement, with its philosophy of form following function.

Contrasting textures and colour were also in fashion. Examples of changing tastes in design were the use of diamonds being set against onyx or translucid citrines and amethysts juxtaposed against opaque coral and jade. The long rope pearl neckless was a signature faux piece that was sold everywhere the time.

It was inexpensive and basic in a womans wardrobe. Sharp, geometric patterns celebrated the machine age, while exotic creations inspired by the Near and Far East hinted that jewelry fashions were truly international.

Shoes were finally visible during the s. Before, long garments covered up shoes, so they weren't an important part of women fashion.

Now, shoes were seen by everyone and played an important part during the s. Women had all kinds of shoes for all kinds of events. Everything from house shoes, walking shoes, dancing shoes, sporting shoes, to swimming shoes. The shoe industry became an important industry that transformed the way we buy shoes today.

Shoes were made in standard sizes perfect to order from fashion catalogs to the near boutique. In the beginning of the s, Mary Janes were still popular from previous era, although they paved the way for the invention of many other shoes.

The T-strap heel was a variation of the Mary Jane, having the same base with the addition of a strap going around the heel and down to the top of the shoe that looked like a T. Also, "The bar shoe which fastened with a strap and a single button became popular during the s. It was worn with the new short skirts and was practical for their vigorous style of dancing. Scott Fitzgerald, was a phrase used to represent the mass popularity of jazz music during the s. Jazz gained much of its popularity due to its perceived exoticness, from its deep African roots to its melodic and soulful rhythm.

The music itself had quite an alluring effect on the new youthful society and was considered to be the pulse of the s due to its spontaneity. With new music emerged new dancing. Jazz dances, such as the Charleston , replaced the slow waltz.

Paul Whitman popularized jazz dance. When dancers did the Charleston , the fast movement of the feet and swaying of the arms resembled the flapping movements of a bird.

Dances such as the Charleston and the Black Bottom in particular created a need for a revival in women's evening wear due to the dynamic and lively manner of these jazz dances.

Dress and skirt hems became shorter in order to allow the body to move more easily. In addition, decorative embellishments on dresses such as fringe threads swung and jingled in sync with the movement of the body.

Lastly, the use of glossy and ornate textiles mirrored light to the tempo of jazz music and dance. Jazz and its influence on fashion reached even further, with both jazz and dance motifs making their way onto textiles. These new textile designs included uneven repetitions and linear geometric patterns. Many textile patterns produced in the United States also incorporated images of both jazz bands and people dancing to jazz.

Undergarments began to transform after World War I to conform to the ideals of a flatter chest and more boyish figure. The female figure was liberated from the restrictive corset, and newly popular the boyish look was achieved through the use of bust bodices. Some of the new pieces included chemises, thin camisoles, and cami-knickers, later shortened to panties or knickers. These were primarily made from rayon and came in soft, light colors in order to be worn under semi-transparent fabrics.

During the mids, all-in-one lingerie became popular. For the first time in centuries, women's legs were seen with hemlines rising to the knee and dresses becoming more fitted. A more masculine look became popular, including flattened breasts and hips, short hairstyles such as the bob cut, Eton crop , and the Marcel wave.

The fashion was bohemian and forthcoming for its age. One of the first women to wear trousers, cut her hair, and reject the corset was Coco Chanel. Probably the most influential woman in fashion of the 20th century, Coco Chanel did much to further the emancipation and freedom of women's fashion.

Jean Patou , a new designer on the French scene, began making two-piece sweater and skirt outfits in luxurious wool jersey and had an instant hit for his morning dresses and sports suits. American women embraced the clothes of the designer as perfect for their increasingly active lifestyles. By the end of the s, Elsa Schiaparelli stepped onto the stage to represent a younger generation. She combined the idea of classic design from the Greeks and Romans with the modern imperative for freedom of movement.

Schiaparelli wrote that the ancient Greeks "gave to their goddesses Departing from the chemise, her clothes returned to an awareness of the body beneath the evening gown. In menswear, there were two distinct periods in the s. Throughout the decade, men wore short suit jackets, the old long jackets being used merely for formal occasions. In the early s, men's fashion was characterized by extremely high-waisted jackets, often worn with belts. Lapels on suit jackets were not very wide as they tended to be buttoned up high.

This style of jacket seems to have been greatly influenced by the uniforms worn by the military during the First World War. Trousers were relatively narrow and straight and they were worn rather short so that a man's socks often showed. Trousers also began to be worn cuffed at the bottom at this time. By , wider trousers commonly known as Oxford bags came into fashion, while suit jackets returned to a normal waist and lapels became wider and were often worn peaked.

Loose-fitting sleeves without a taper also began to be worn during this period. During the late s, double-breasted vests, often worn with a single-breasted jacket, also became quite fashionable. During the s, men had a variety of sport clothes available to them, including sweaters and short trousers commonly known in American English as knickers. For formal occasions in the daytime, a morning suit was usually worn. For evening wear men preferred the short tuxedo to the tail coat, which was now seen as rather old-fashioned and snobby.

Men's fashion also became less regimented and formal. Men favored short jackets with two or three buttons rather than jackets with long tailcoats as well as pinstriped suits. Casual-wear for men often included knickers, short pants that came to the knee. The tuxedo vest could be black or white, but, unlike the obligatory full-dress white tie, tuxedos ties were always black.

Men usually completed their tuxedo outfit with all the same accessories as the full-dress suit, except that instead of top hats they would wear dark, dome-shaped hats called bowlers.

Just like women, men had certain attire that was worn for certain events. Tuxedos were appropriate attire at the theater, small dinner parties, entertaining in the home, and dining in a restaurant. During the early s, most men's dress shirts had, instead of a collar, a narrow neckband with a buttonhole in both the front and back.

By the mids, however, many men preferred shirts with attached collars, which were softer and more comfortable than rigid, detachable collars. Men's hats were usually worn depending on their class, with upper class citizens usually wearing top hats or a homburg hat. Middle class men wore either a fedora , bowler hat , or a trilby hat. During the summer months, a straw boater was popular for upper class and middle class men.

Working-class men wore a standard newsboy cap or a flat cap. During the s, the notion of keeping up with fashion trends and expressing oneself through material goods seized middle-class Americans as never before. Purchasing new clothes, new appliances, new automobiles, new anything indicated one's level of prosperity. Being considered old-fashioned, out-of-date, or—worse yet—unable to afford stylish new products was a fate many Americans went to great lengths to avoid. For women, face, figure, coiffure, posture, and grooming had become important fashion factors in addition to clothing.

In particular, cosmetics became a major industry. Women did not feel ashamed for caring about their appearance and it was a declaration of self-worth and vanity, hence why they no longer wanted to achieve a natural look.

For evenings and events, the popular look was a smoky eye with long lashes, rosy cheeks and a bold lip. To emphasize the eyes, Kohl eyeliner became popular, and was the first time they knew anything of eyeliner information about Egyptian fashion was not discovered until later on in the 20s. Women also started wearing foundation and using pressed powder.

Glamour was now an important fashion trend due to the influence of the motion picture industry and the famous female movie stars. Style, at many social levels, was heavily influenced by the newly created, larger-than-life movie stars.

For the first time in history, fashion influences and trends were coming from more than one source. For working class women in the s, tailored suits with a straight, curveless cut were popular. Throughout the decade, the lengths of skirts were rise to the knee and then to the ankle various times affecting the skirt style of tailored suits.

For working class men in the s, suits were popular.

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